Tohru Takemitsu, Yoshinao Nakada - November Steps

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Review by José Julio Luque Bermúdez

November Steps is a remarkable album that features the works of two Japanese composers, Tohru Takemitsu and Yoshinao Nakada. The album is an exceptional blend of classical and traditional Japanese music, which showcases the depth and beauty of Japanese music.

The album opens with the title track, November Steps, a piece composed by Tohru Takemitsu. The music is a fusion of traditional Japanese instruments, including the shakuhachi and koto, with Western instruments such as the violin and piano. The result is a haunting and ethereal sound that transports the listener to a different world.

The second half of the album features the works of Yoshinao Nakada, a composer who is known for his beautiful piano pieces. The pieces on this album are no exception, with each one showcasing Nakada's mastery of the piano. From the gentle and soothing "Ame no Ki" to the lively and energetic "Shakuhachi and Piano," the pieces on this album are a joy to listen to.

Table of Contents

Tracks

TrackDurationPreview
Songs Of Praise To Beauty
November Steps

Video

Toru Takemitu (Takemitsu) - November Steps
Tim and Rumi Smith play from Nakada Songs in Praise of Beauty (#1)

Images

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Catalog Numbers

K15C 9496

Labels

Seven Seas

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Formats

  • Vinyl
  • LP

Credits

RoleCredit
Composed ByTohru Takemitsu, Yoshinao Nakada
ConductorMichiyoshi Inoue
OrchestraShin Nihon Philharmonic Orchestra
PianoHiroshi Kubo, Tomoyoshi Andoh

About Tohru Takemitsu, Yoshinao Nakada

Composer, born October 8, 1930, died February 20, 1996, both in Tokyo.

Real Name

    • ୦຀ྐྵ

Name Vars

  • T. Takemitsu
  • T.Takemitsu
  • Takemitsu
  • Takemitsu Toru
  • Takmitsu
  • Tohru Takemitsu
  • Tôru Takemitsu
  • Tõru Takemitsu
  • Töru Takemitsu
  • Tōru Takemitsu
  • Tōru Tekemitsu
  • ୦຀ ྐྵ
  • ୦຀
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Summary by José Julio Luque Bermúdez

November Steps is a beautiful and unique album that showcases the best of Japanese music. The blending of traditional Japanese instruments with Western instruments is masterfully done, and the result is a beautiful and haunting sound that will stay with the listener long after the music has ended.

Comments

good article in the LA Times about this piece in today's issue. Very magical! Transports me to another place and time. In my mind I see a mix of Noh and contemporary dancers on a stage with movie backdrops from the wizard of oz....
markoca32
2023-06-23
Action around every turn....suspense...wonder...fire...intrigue...danger...delight...daybreak...night...smells...flight....magic!
joatanjunior
2023-06-22
from dave ([email protected]) i don't know why i post on these lines- never hear back- a piece like thtis makes me weep for art music- no one hears the more modern stuff- i won't say it's dead but......movies have taken over
pestcontrolgoolwa
2023-06-21
真冬の肝試し用BGM
karapalmerkong
2023-06-20
The ionfluences of Debussy and Messiaen are quite sensitive but filtered by a great musical personality.
alambekkboutaina
2023-06-20
for some reason i think i found this while off xanax and am just now getting to it sober. beautiful
uthesmilse
2023-06-20
??✨?????♥️
syarifhidayatirza
2023-06-20
Благодарю.
lalitkumar553344
2023-06-20
I am amazed and moved that this exquisite work , which penetrates deep into the human heart ,
has caused the willingness of many different players to perform .

From Tokyo in Japan .
Which national are you watching this video ?
eckvini
2023-06-19
Who were the retards that downvoted this master piece?
trebolescreativos
2023-06-19
Strange, sexy and beautiful.
qibugcom
2023-06-19
Unbelievable playing... And unbelievable composing...
theboutiquetourist
2023-06-18
i come here because i read that Akira Kurosawa kept listening to this song when he was brainstorming the ideas with his film Ran
entongblues
2023-06-18
*********
nurlanehmedov7
2023-06-17
One of the most thoughtful, imaginative, original and versatile composers of the 20th century
sandila
2023-06-17
I absolutely love it
tiarafrederick
2023-06-17
Die klarste und best artikulierte Leistung dieses Werks bis heute. Ethnische Momente sind sorgfältig vermieden. Sehr cool!
captirfansaif
2023-06-17
曲號:121
曲名:十一月的腳步
作曲家:武滿徹
 
A. 風格源頭:傳統西方音樂由動機、樂句至樂段之擴張,係為一種線性邏輯的規律發展 ; 而傳統日本音樂中,不重視各音或各句之間的有機聯結與發展,而更著重一個個的單音音色的表現。

B. 有趣之處:武滿徹找到東方與西方音樂兩者的共通性,並藉此作出聯結,消弭兩者之間的界線。

C. 作曲年代:1967年

D. 價值感:由日本傳統樂器尺八與琵琶擔任主奏,與美國紐約交響樂團一同擔綱演出,是作曲家第一首企圖跨越東西文化界線的作品。  

E. 風格形式:此曲為自由的協奏曲風格,不僅樂曲以樂團合奏開始,日本樂器獨奏與樂團的伴奏接續,在樂曲即將結束之前,加入一段由日本獨奏樂器即興演奏的華彩樂段(Cadenza)。

F . 本樂曲的重要性與影響:為紐約愛樂成立125週年所委託創作的作品,1967年於美國紐約首演。

G. 作曲的對象與可能的社會背景:武滿徹是在受過西方音樂訓練之後才開始接觸日本傳統音樂美學,雖為結合東西文化而努力。但在《秋庭歌》之後,武滿徹不再寫作試圖結合東西音樂世界的作品,而回到早期調式音樂的風格。
romanchukrv
2023-06-16
I'm thinking of writing a thesis for a MMusic on the music of Toru Takemitsu. Perhaps focusing on his guitar music and/or the influences of traditional Japanese music. It would be helpful if anyone could offer possible suggestions on a topic that has not yet been covered extensively.
kaylinikkel
2023-06-16
I swear I heard excepts of this in a History Channel documentary on the Samurai, maybe I am wrong...
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