Mysore T Chowdiah - Carnatic Violin

Tirumakudalu Chowdiah (Kannada: ಸಂಗೀತ ರತ್ನ ತಿರುಮಕೂಡಲು ಚೌಡಯ್ಯ) (1895  19 January 1967) was a violin maestro from India in the Carnatic classical tradition. Chowdiah, was born in Tirumakudalu Narsipur village on the banks of the river Kaveri near Mysore. He became a disciple of Mysore Royal Court musician, Ganavisharadha Bidaram Krishnappa in 1910 and underwent a very rigorous and disciplined training until 1918 in the gurukula system. In his early years, he played the four stringed violin, and by 1927 he became an extremely well known violin accompanist. Those were the days when there was no sound amplification equipment and it was rather difficult for listeners who sat in the back rows of music halls to hear him playing the violin. Chowdiah realised this shortcoming and launched upon increasing the sound of the violin. He improvised the violin by adding three more strings such as Tara Shadja  Mandra Shadja, Madhya Panchama  Mandra Panchama and Madhya Shadja Mandra Shadja. After practising incessantly, he began to use this new seven stringed violin in all his concerts. He experimented, innovated and practised to achieve perfection, all without the knowledge of his Guru (teacher). In one of the vocal concerts of his Guru Bidaram Krishnappa in Mysore, Chowdiah accompanied him using his new seven stringed violin. Krishnappa perceived the sound emanating from the violin was louder than usual. He stared at his disciple and his violin and noted that there were three additional strings. He angrily asked him 'what is this contraption?' and had an outburst. Chowdiah, in all humility said that he added three more strings and evolved this seven stringed violin so that the sound of the violin could be heard even in the back rows of the concert hall. He was afraid of the Guru's outburst. Veena Seshanna who was also present in the audience, was aware of the seven stringed violin. He was pleased with Chowdiah's accomplishment at innovating the violin, and told Bidaram Krishnappa that Chowdiah must be allowed to play that violin. Sometime later, Chowdiah accompanied his master again in another concert using this new violin and his master was pleased with it. Thus Chowdiah brought about a revolution, in the field of music.